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existential space
I intentionally expose the gaps within digital visual culture – particularly its lack of tactility and embodied emotion
render invisible
Slim lengths of slim wood have been cut and reconfigured in a way that propels movement and creating an energetic rhythmic interplay between solid form and void
originally created by Rutger Andersson in 1978 and was then named ‘SMED’
Glass In Two Halves From Home hypha-marble-arch existential spaceThis piece is a melted glass cup which broke into two down the middle. From the sharp shards of the two halves the glass has been put through a slumping process, transforming it into a softer safer to handle object. This new form similarly dysfunctional to the broken cup shows a half baked process, still remaining in two pieces with a memory of the circular base of the glass. This work explores themes of domesticity, memory, action, rage and
