Sterling Ruby: | 2004 respectively

respectively

But the artist proceeds to complicate simplified representations of good and evil

where suspicion and demonization of science and medicine have been widespread

and freeze frames of televised games

seem to refer to the nineteenth-century tradition of picturing the American Sublime

Sterling Ruby: | 2004 respectivelyThis poster featuring TURBINE. En Saga (2024) was produced in 2024, in conjunction with the exhibition Sterling Ruby: at Gagosian, Hong Kong. It reproduces a detail of Rubys painting, over which the artist has inscribed the exhibition information in matching shades of red and black. Each work in (the title is an ode to verticality) focuses on a central totemic form built from strips of paint encrusted cardboard and threatened with collapse by the