Catherine Lamb Eva-Maria Houben But at one point I

But at one point I felt I needed to work with a larger set of musicians to obtain a more complex set of colours and harmonies

Alexander Ellis

how important time and the process of waiting are to my work

How did PQMC come to commission pieces from Jürg

feeling the vibrations as the hammer strikes

Catherine Lamb Eva-Maria Houben But at one point I1 color residua (2016 2020) 10: 50 Explore Ensemble & Exaudi Vocal Ensemble 2 pulse shade (2014) 19: 00 Lotte Betts Dean (multitracked voice) 3 parallaxis forma (2016) 26: 11 Explore Ensemble & Lotte Betts Dean (voice) Interview with Nicholas Moroz of Explore Ensemble As artistic director of Explore Ensemble, you've chosen to play a few of Cat Lamb's pieces in concert now. What is it that draws you to her music, and in particular to her pieces that