Georg Baselitz: Ohne Hose in Avignon VII SISU “Large” examines what Koolhaas called

“Large” examines what Koolhaas called “the architecture of Bigness

The 1964 acrylic-and-silkscreen canvas on which it is based was itself derived from photographer Patricia Caulfield’s shot of hibiscus blossoms

the catalogue documents the artist’s first major museum survey

the mushroom is revered in folk

color and texture

Georg Baselitz: Ohne Hose in Avignon VII SISU “Large” examines what Koolhaas calledOhne Hose in Avignon VII (2014) is a limited edition print produced in aquatint, line etching, and dry point by Georg Baselitz. This workwhose title translates to Without Trousers in Avignon VIIis the final in a series of seven prints related to his suite of monumental Avignon paintings (2014) that were unveiled at the 2015 Biennale di Venezia. A nude self portrait of the artists aging body represented upside down, the print uses aquatint to create a